spent pretty much the whole summer on the island of Öland, so you’d think the first painting to come out of it would be a sunset, the sea, some beautiful landscape or something…
Nope.
Öland beans. In a can. Obviously.
It’s always a weird feeling getting back to work after a long break. Every year I somehow convince myself that this is it... the projects have dried up, no one’s gonna call, the fun is over!!!
And then, day one back at the studio: a skate project in Nairobi, a pasta restaurant in Malmö, one of Sweden’s biggest burger chains, two new festivals, event companys, Releaseparty for my book, ordern on my webshop, a bunch of ongoing stuff with old projects and clients and a few new courses to plan on the side.
So yeah. Back at it.
And just a little reminder to myself: I’m incredibly grateful that I get to make stuff, draw weird things and basically play for a living every day.

Not taking that for granted. ❤️

When I teach illustration and art theory, one question keeps coming up — especially from younger students: “But is that really art?”

I've had a hard time finding joy in sketching without pressure.
But watercolor has helped me flip that mindset.
In my latest Journal entry, I write about performance anxiety, my love for fineliners, and learning to trust the process.

Yesterday was the opening for ”had to be done ” an exhibition featuring a group of artists, including my friends Gougeone. I had a tiiiiny part in it

I’ve been a bit off the radar lately, mostly because I’ve been living my best life at home with Zoe full-time.

At the time of writing, I have 14 days left to finish building the entire website. It's a bit stressful, but I’ve had an incredible flow over the past two days.